Greenwich Village
Greenwich Village - also known as the West Village or the Village has been home to the artists, entertainers, writers, bohemians and intellectuals since the turn of the 20th century.  It is more upscale than the East Village.  Greenwich village is the place where Jimi Hendrix built the Electric Lady sound studios, Barbra Streisand debuted at the Bon Soir, Gertrude Vanderbilt Whitney founded the Whitney Museum and Andy Warhol and Lou Reed created the citadel of Hippiedom at the Electric Circus on St Marks Place.

Washington Square Park, with its arch famous from much movie exposure is the heart of the Village. This 9 ½ -acre park at the foot of Fifth Avenue is where skate boarders, jugglers, stand-up comics, sitters, strollers, sweethearts, chess players, fortune tellers, and daydreamers converge and commune.

New York University is in the Village, in an area that has been home to some of the world's most famous writers and artists including Henry James, Edith Wharton, Edgar Allan Poe, Mark Twain, Walt Whitman, Eugene O'Neill, Norman Rockwell, Jackson Pollock, Mark Rothko, Willem de Kooning, and Beat writers Jack Kerouac, Allen Ginsberg, and Lawrence Ferlinghetti.

The Village is home to a large community of gays and lesbians. Across 7th Avenue is Christopher Street, site of a historic clash (in front of the Stonewall bar) in 1969 between city police and gay men, marking the beginning of the gay rights movement.

Greenwich Village History
Greenwich Village’s known history dates back to the 16th century, when it was a marshland called Sapokanikan by Native Americans who camped and fished in the meandering trout stream known as Minetta Brook. By the 1630s Dutch settlers had cleared pastures and planted crops in this area, which they referred to as Noortwyck. Freed African slaves brought here by the Dutch also farmed parcels of land in this sparsely populated district. After the English conquest of New Amsterdam in 1664, the settlement evolved into a country hamlet, first designated Grin’wich in 1713 Common Council records. Sir Peter Warren, Vice-Admiral of the British Navy and commander of its New York fleet, amassed a vast land tract here in the 1740s, as did Captain Robert Richard Randall.

Greenwich Village survived the American Revolution as a pastoral suburb. Commercial activity after the war was centered near the edge of the Hudson River, where there were fresh produce markets. In the 1780s the city purchased a parcel of eight acres for use as a potter’s field and public gallows, at what is now Washington Square Park. The comparative seclusion of the area began to erode when outbreaks of yellow fever and cholera beset the core city in 1799, 1803, 1805, and 1821. Those seeking refuge fled north to the wholesome backwaters of the West Village, triggering the construction of temporary housing as well as banking offices. During an especially virulent epidemic in 1822 many who had intended to remain in the area only temporarily chose instead to settle there permanently, increasing the population fourfold between 1825 and 1840 and spurring the development of markets and businesses. Shrewd speculators subdivided farms, leveled hills, rerouted Minetta Brook, and undertook landfill projects. Blocks of neat rowhouses built in the prevailing Federal style soon accommodated middle-class merchants and tradesmen. From 1820 a more affluent residential development emerged to the east near Broadway. Another fashionable area developed around Washington Square Park, at the foot of Fifth Avenue. The potter’s field was closed in 1826 and transformed successively into a military parade grounds and a spacious pedestrian commons. On the perimeter of Washington Square, stately red brick townhouses built in the Greek Revival style drew wealthy members of society. The crowning addition to this urban plaza was the triumphal marble arch designed by Stanford White. Erected in 1892 and funded through private subscription, it replaced a temporary portal raised to commemorate the centenary (1889) of George Washington’s inauguration as President.

During the early 19th century new institutions served the spiritual, educational, and cultural needs of the growing community. Religious denominations commissioned buildings with elaborate decorative schemes, New York University grew on the east side of Washington Square from 1836, and the neighborhood soon became the site of art clubs, private picture galleries, learned societies, literary salons, and libraries. Fine hotels, shopping emporia, and theaters also proliferated. The character of the neighborhood changed markedly at the close of the century when German, Irish, and Italian immigrants found work in the breweries, warehouses, and coal and lumber yards near the Hudson River and in the manufacturing lofts in the southeast corner of the neighborhood. Older residences were subdivided into cheap lodging hotels and multiple-family dwellings, or demolished for higher-density tenements. Plummeting real estate values prompted nervous retailers and genteel property owners to move uptown.

The Village at the turn of the 20th century was quaintly picturesque and ethnically diverse. By the start of World War I it was widely known as a bohemian enclave with secluded side streets, low rents, and a tolerance for radicalism and nonconformity. Attention became increasingly focused on artists and writers noted for their boldly innovative work: books and irreverent "little magazines" were published by small presses, art galleries exhibited the work of the avant-garde, and experimental theater companies blatantly ignored the financial considerations of Broadway. A growing awareness of its idiosyncrasies helped to make Greenwich Village an attraction for tourists. Entrepreneurs provided amusements ranging from evenings in artists’ studios to bacchanalian costume balls. During Prohibition local speakeasies attracted uptown patrons. Decrepit rowhouses were remodeled into "artistic flats" for the well-to-do, and in 1926 luxury apartment towers appeared at the northern edge of Washington Square. The stock market crash of 1929 halted the momentum of new construction.

During the 1930’s, galleries and collectors promoted the cause of contemporary art. Sculptor Gertrude Whitney Vanderbilt opened a museum dedicated to modern American art on West 8th Street, now the New York Studio School. The New School for Social Research, on West 12th Street since the late 1920s, inaugurated the "University in Exile" in 1934.

The Village had become the center for the "beat movement" by the 1950s, with galleries along 8th Street, coffee houses on MacDougal Street, and storefront theaters on Bleecker Street. "Happenings" and other unorthodox artistic, theatrical and musical events were staged at the Judson Memorial Church. During the 1960s a homosexual community formed around Christopher Street; in 1969 a confrontation by the police culminated in a riot known as the Stonewall Rebellion, regarded as the beginning of the nationwide movement for gay and lesbian rights. Greenwich Village became a rallying place for antiwar protesters in the 1970s and for activity mobilized by the AIDS epidemic in the 1980s.

The historic preservation movement in Greenwich Village was begun nearly fifty years ago. In the 1940s, urban renewal efforts on Washington Square South had altered the physical character of the neighborhood by demolishing many 19th century structures. Local resentment of these development initiatives inspired a preservation movement and helped to defeat a plan by Robert Moses to carve a roadway through Washington Square. Efforts by preservationists were strengthened by "downzoning" changes in 1961 and by the designation in 1969 of a contiguous Greenwich Village Historic District that protected more than 2,035 structures and encompassed one-third of the Village. Currently there is a movement to protect the waterfront, exempted from earlier landmark designation. This local preservation initiative is still in progress.